An Ode To Halloween

 

  Hola, muchachos del World Wide Web! Que pasa? Are you feeling Patriotic yet? Me neither. ANYWAY, on to a better topic I love Halloween because its the only time of year that we Satanists can truly be our evil selves in public. Just kidding. Actually, I enjoy Halloween because its the one time of year when the mostly forgotten genre of the horror film makes a monthly comeback (or at least it used to be) and some of the classic horror films of the past are featured as the Movie of the Week on TV. Ive had a soft spot for horror films for a long time. The love affair started when my Mom took me to see Friday the 13th during its initial release in 1980, and I can honestly say that movie had as much or more impact on me as Star Wars did just three years earlier. There was just something so cathartic about that homicidal roller coaster ride, I really felt baptized after leaving the theatre. Being a lifetime devotee of leisure, I guess this was the closest thing I had to a rite of passage. So, for this months column, Im going to share with you some of the more (or less) obscure horror films from the last 20-plus years that are available on video and come with my seal of approval!

PARENTS (1989, Directed by Bob Balaban; starring Randy Quaid, Mary Beth Hurt and Bryan Madorsky.)

If you are a fan of the horror that festers in the imagination, this film is for you! This was one of the first good American horror movies at the time; it was a real first class effort of high production value, excellent acting and flawless period set designs. The story is just your basic tale of cannibals in suburbia! The horror is understated, but reveals itself at just the precise moments for one genuine mind fuck of a film. The boy who plays the emotionally assaulted protagonist is amazing. The scene with his speech at school during show and tell is one of my favorites in this movie. A must see for all!

NEAR DARK (1987, Directed by Kathryn Bigelow; starring Lance Henriksen, Jenny Wright and Bill Paxton.)

I remember seeing this feature in the theatres during its original run when I was 16. I had great expectations after reading the pre-release write up in Fangoria magazine, and I have to say that I wasn't disappointed. This rather inventive take on the vampire story has above average production value for the genre, passable acting and a highly stylized look about it. Notable in the cast are Lance Henrikson and Bill Paxton as a two of the redneck undead. This movie has some great bloodletting scenes and the one in the biker bar alone makes this film worth the rental.

HABIT (1997, Directed by Larry Fessenden; starring Larry Fessenden.

I found this NY boho vampire/love story infinitely more enjoyable than the highly lauded erudite (read: boring) version offered by Abel Ferrara. Like Ferrara, the director uses real locations that lend a sense of authenticity (and cost less to film in) but unlike Ferrara he has written a script that maintains a compelling pace. The familiar plot is played out with some great performances by a cast of unknowns. My only disappointment with the movie was the finale, which is hampered greatly by some clumsy editing.

SHOCKWAVES (1977, Directed by Ken Wiederhorn; starring Peter Cushing, Brooke Adams and John Carradine.)

I saw this film for the first time on cable back in the early 80s and was quite impressed with it overall. The story is interesting and the films good pacing builds momentum to the climax quite well. The plot is simple: Take a group of researchers and put them on a remote island surrounded by the shallow, watery graves of hundreds of nazi soldiers genetically altered for maximum homicidal capabilities, THEN add to the mix one mad doctor who wants to reanimate his fallen brethren. The understated level of gore (despite some excellent makeup on the waterlogged, undead SS) complements the films overall subtle, yet successfully CREEPY approach. The technical aspects here were much more memorable than the acting, but in the horror genre that is usually the way it works. This one is worth a look.

THE EXORICIST III (1990, Directed by William Peter Blatty; starring George C. Scott.)

This film was a great thriller and featured some REALLY scary moments (Patrick Ewing as an angel, the evil nun/nurse chasing people around with the coroners bone cutter). Scott's performance as a bleary-eyed homicide cop in the twilight of a career plagued by memories of past murders is dead on. My one complaint with the movie is the totally unnecessary exorcism scene added to the film after it was already complete. Apparently the studio felt the audience would feel ripped-off seeing an Exorcist installment without one included in the film. Big mistake. As a side note, the film is nothing like the book -- which is quite scary in it's own right.

MOTHERS DAY (1980, Directed by Charles Kaufman III; starring Holden McGuire and Billy Ray McQuade.)

Remember when the people at Troma actually made cohesive films with actual plots and earnest attempts at acting? Maybe Mothers Day will refresh your memory. Speaking of memory, this movie has so many memorable moments! A truly polished effort on the whole, it is well worth watching for any fan of 80s exploitation horror. A great idea for some truly nasty fare: A demented old woman who lives out in the sticks with her two mentally challenged sons. Mother allows the boys to procure nubile young coeds as an outlet for their lascivious and homicidal energies. My most memorable moment from this gem:
Brother One: "Punk sucks!"
Brother Two: "Disco's stupid!"
Enjoy!!

Celluloid Junkie

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